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Bottom line: the only way to push content successfully in a new format is to (A) offer something better on the new format and (B) by retiring previous formats so that forced obsolescence dictates to consumer interest. Blu-ray has only begun to eclipse DVD as the dominant format, not simply for its more aggressive marketing of hi-def content, but also because DVD releases have been dying out. That's the primary reason DVD took off like wild fire over VHS. day' experience from the previous format. A new format can only thrive if the image and sound quality it represents is a 'night vs. But you really have to look for those subtler upgrades - even in projection. I just finished comparing my Criterion Blu to Kino's recent In the Heat of the Night and the results are negligible at best. Problem is, not every movie released in Blu needs a new 4K reissue. Now, that the floodgates have been opened in standard Blu, we've seen some studios or third-party distributors aggressively marketing 4K reissues.

Some studios were releasing ONLY new content to Blu, and only after that had been sufficiently mined, did they turn to trying their hand at 'classics' on Blu. It's the same problem that originally afflicted Blu-ray releases. So this is something that was troublesome for the industry and the format long before Disney bought Fox.Д¬lick to expand.The problem with 4K in general is the willy-nilly nature of releases from all the major studios. They had a bunch of catalog titles ready to go but the sales numbers werenвЂ™t there from the start. I remember when the former head of FoxвЂs home entertainment department, James Finn, would post here regularly and in early 2016 he said Fox was fully committed to day and date releases of all future titles on UHD disc, and that pronouncement didnвЂ™t even last that full year. This isnвЂ™t a question of Disney being evil or anything itвЂ™s just a matter of the format not expanding beyond a niche of a niche. I think it was who posted that the sales numbers show UHD disc is less than 1% of the home entertainment market, and most of that is made up of sales of new titles. That format just isnвЂ™t doing much sales wise, and catalog titles on physical media in general has been a dwindling business for at least the past decade. UHD disc is much more difficult to predict. McGregor, however, described what he saw as Obi-Wan's disillusioned frame of mind at the start of the miniseries, which picks up 10 years after the events of 'Revenge of the Sith.I think itвЂ™ll certainly be remastered for 4K UHD distribution on Disney+ and/or Hulu, and once that happens (if not sooner), itвЂ™ll hit the digital storefronts.

MOULIN ROGUE FULL MOVIE ONLINE FREE SERIES

Lucasfilm did not share episodes of the series with the news media ahead of the May 27 premiere, and plot specifics have been kept tightly under wraps.

But she was drawn to the script's 'edgy' feel - and when she later learned about the 'Star Wars' link, 'I couldn't say no.' When Ingram read a version of the 'Obi-Wan' script, she was not even aware it was a 'Star Wars' project, recalling that names and other telltale details were strategically withheld during the audition process. When we were acting together again, it was really like a time warp, and looking across at him on set was like the last 17 years didnвЂ™t happen.Д«ut the series also introduces new characters, including a lightsaber-wielding villain (an Inquisitor, in Lucasfilm parlance) named Reva Sevander, played by Moses Ingram, an Emmy-nominated actor who scored her breakout role on Netflix's 'The Queen's Gambit.' (McGregor, also known for his roles in 'Moulin Rouge!' and 'Trainspotting,' is one of the show's executive producers.) Seventeen years after the theatrical debut of the third prequel, McGregor is back in dusty Jedi Master robes in 'Obi-Wan Kenobi,' a six-episode miniseries that debuts May 27 on Disney+. 'I became more aware of the fondness that the generation that we made the prequels for has for those films,' McGregor said, later adding: 'They couldn't understand why I thought that they weren't liked when they came out, you know? It meant a lot to me.' He encountered millennials - people who were just kids when the prequels rolled out in the late 1990s and the early 2000s - who felt immense nostalgia for the tales of PadmГ© Amidala, Darth Maul and even Jar Jar Binks. In time, however, McGregor discovered what might be characterized as a vibe shift around the movies. 'When they came out, they were not seemingly well received.' 'It was one of the difficult things about being in the prequels,' he said at a virtual media event Thursday.

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